Tuesday, May 17, 2011

Routine vs Inspiration, Inspiration vs Restrictions...

Speaking of scrawlings on tickets and the like, I just came across this surprisingly coherent piece of writing that I committed to paper a number of weeks ago while sitting on the tram...

I am always surprised at how many ideas I have when I just get out and do things, as opposed to sitting down and thinking right, I have to do work now. How does this fit in with the role routine supposedly plays in the creative process? Well, perhaps it should be a habit to immediately do something else if you're not being effiecient with what you are trying to do at the time... if there is no flow of ideas. You can't force creativity. Maybe I need to establish some structures for myself, or have a piece of music that always sets a particularly creative or cerebral mood?

I do like the idea that routine can help to provide structure... as a way of eliminating extraneous ideas, as well as helping to put the mind in a particular 'mode'. One idea can spark many, but to be efficient (timelines are incredibly prevalent in the fashion industry), one has to eliminate (survival of the fittest idea - how Darwinian) some of these ideas in order to simply get stuff done in time.

In fashion, we always talk about 'inspiration' as though it is some divine thing... as though we as designers are suddenly blessed with this fantastic thought that we just had to realise in the form of clothing. The fact of the matter is, this is so rarely the case. (Or is that just me?) We are compelled to make things on a fairly constant basis, so when the matter of inspiration is brought up, it is generally a way of us designers setting ourselves little projects. It is very hard to create something from nothing at all - a few wispy thoughts - but by picking a theme, we are then able to narrow down our choices in terms of colour palette, silhouette, fabric choice, etc. The infinite combinations and permutations and possibilites are refined to a particular language for a collection, and we can start making...

...there are many potential pots ready to be sculpted from one piece of clay, I suppose. But in the end, only one form is selected, shaped and refined... Oooh, imagery and metaphor. Was that creative?


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